Manifesto of Uncontrollable Co-creation
A manifesto on co-creation, responsivity, and the impossibility of controlling what emerges between two.
Decoloniality as form and experience
Decoloniality as form and experience Decoloniality is often understood as a field of explicit positions. A territory marked by clear discourses, named genealogies, and direct confrontations with colonial history. This dimension is fundamental. It responds to real wounds. But it does not exhaust what a decolonial practice can be within the field of art. This text starts elsewhere. From what does not begin with the idea. When I work, I do not look for clarity.
Manifesto of the Autonomous Body in Friction
Corporeal mime and live sound as a practice of action and relation This manifesto does not describe a method nor propose a closed pedagogical system. It affirms a position, an ethics of the body, and a mode of relation that manifests itself through practice. 1. The irreducible basis Corporeal mime as a technique of action Corporeal mime was not born to illustrate emotions, to narrate stories, or to produce beautiful forms.
Why is art necessary at this moment?
Art is not necessary because it saves, redeems, or responds to a crisis. Those arguments are weak, because any practice could claim the same role. Art is necessary now for a more precise reason: it is the only socially recognized practice capable of suspending purpose without having to justify itself through effectiveness, impact, or improvement. We live under a permanent regime of urgency. Everything must respond, solve, optimize, or position itself.
Welcome
Hi everyone, welcome to my webpage! Here I’ll be sharing not only what I have created so far, but also some of my ideas and reflections on art.