Curriculum

I am a cross- and transdisciplinary artist working at the intersection of mime, physical theater, dance, performance, and live art.

Born in São Paulo, Brazil, I earned my Bachelor’s, Master’s, and Ph.D. in Physics, before fully embracing the performing arts. I trained in Total Mime and Physical Theatre at the Luis Louis Studio (2016) and deepened my studies in Corporeal Mime and Theater with Corine Soum, Steve Wasson, Marc Duncan, Tania Coke, Maurício Paroni, Ulrika Malmgreen, and others.

My dance training spans modern and contemporary techniques—including Graham Technique, Eutonia, Body Awareness methods, Contact and Improvisation, and Indigenous Dances—with mentors such as Daniela Stasi, Miriam Dascal, Fredyson Cunha, and Lu Favoretto.

As a performer, I had the privilege to work and study with Ntando Cele, Elisa Band, Cadu Ribeiro, Elle de Bernardini, Elton Panamby, Estela Lapponi, Ierê Papá, Lucio Agra, Marcos Bulhões, and T. Angel.

I began my artistic journey with the electric guitar, learning from masters like André Christovam.

I am the founder of the π3 company (2021–present). I also participated in the Impromime group (2017), directed by Fábio Lins, and the AANGA dance-theater group (2015–2016), directed by Miriam Dascal.

Below you will find a detailed overview of my studies and artistic explorations. I am always evolving, committed to continuous learning and experimentation.

Formation

Mime/Theater

  • Jan/2022 - : Weekly private coporeal mime training with Corinne Soum and Steve Wasson.
  • 2022 - : Corporeal Mime Courses with Tania Coke.
  • 2015 - 2022: Courses and trainings with Mauricio Paroni ranging from 1 month, everyday, to less than one week (Theatrical prosody and diction, Shakespeare, Nelson Rodrigues etc.)
  • 2023: Total Mime Online Formation 7.0 with Luis Louis (1 year)
  • 2022: Clown Studies with Jon Davison (1 semester)
  • 2022: Total Mime Online Formation 6.0 with Luis Louis (1 year)
  • 2022: Summer courses of the International School of Corporeal Mime
    • Jean-Claude Cotillard (1 week)
    • Ivan Bacciocchi and Natalie Stadelmann (1 week)
  • 2020: Laboratory of Total Mime and Physical Theatre with Luis Louis (1 year)
  • 2019: International Workshop of Physical Theatre with Mark Duncan (1 week)
  • 2017: Scene Composition and Choreography with Tuija Liikkanen e Lena Stefenson (1 month, everyday)
  • 2017: Corporeal Mime with Javier Cencig (1 semester)
  • 2017: Impromime with Fabio Lins (1 semester)
  • 2017: Total Mime and Physical Theatre with Luis Louis (1 semester)
  • 2016: Construction of Solos with Vinícius Piedade (1 week)
  • 2016: Formation in Total Mime and Physical Theatre with Luis Louis ( 1 year, everyday)
  • 2015: Workshop on commedy for all stages with Cristina Mutarelli (2 months)
  • 2015: Actors in the scenic narrative with Ulrika Malmgreen (1 month, everyday)

Dance

  • 2018 - 2024: Martha Graham Technique with Daniela Stasi
  • 2022 - 2024: Classical Ballet (weekly, private trainning)
  • 2022: Senegalese dances
  • 2021: Ritual Dances of Jeje and Yorubá with Luiz Anastácio (1 month)
  • 2020: Gaga Dance with the Batscheva Dance Company (a semester, twice a week)
  • 2020: Barroc Dance and Notation of Beauchamp-Feuillet with the Cia. Passos do Barroco (2 weeks)
  • 2019: Acts to Not Dance with Pin Nogueira, based on the method of Klauss Vianna (1 week)
  • 2018: Brazilian Dances of Indigineous Matrix with Fredyson Cunha (1 semester)
  • 2018: Contact and Improvisation with Erika Moura (1 semester)
  • 2018: Workshop on Eutonia: the feet with Cilô Lacava (4 classes)
  • 2018: Contemporary Dance based on the Motor Coordination of S. Piret and M.M. Beziers with Lu Favoretto (1 year, weekly)
  • 2017 - 2018: Dança Cotidiana with Juçara Amaral (weekly private classes)
  • 2015-2017: Eutonia with Miriam Dascal (weekly, private trainning)
  • 2015: Laban with Maria Mommensohn (1 semester)

Performance and Live Art

  • 2020: Extended Training Formation on Performance Art at Reference Center of Dance, São Paulo (1 year)
    • with Cadu Ribeiro, Elle de Bernardini, Elton Panamby, Estela Lapponi, Ierê Papá, Lucio Agra, Marcos Bulhões, T. Angel
  • 2017: Expressing myself beyond my skin with Ntando Cele (MiTsp - International Festival of Theater, São Paulo)
  • 2015: Studies in Creation of Performance and Live Art with Elisa Band (1 month, everyday)

Music

  • More than 15 years of electric and acostic guitar classes with André Christovam, Álvaro Gonçalves and Marco Prado.
  • Since 2021 I am doing singing classes with Mari Benassi

Ballroom Dances

Nearly 15 years of intensive study in ballroom dances, with specialized focus on forró and tango under the guidance of renowned masters. This extensive training has deepened my understanding of partnering dynamics, musical interpretation, and the subtle art of leading and following—skills that profoundly inform my approach to physical theater and corporeal expression.

Forró: Developed traditional and contemporary techniques, exploring the dance’s roots in Brazilian folk culture and its evolution into urban social expression.

Tango: Comprehensive training in Argentine tango, including technique, musicality, and the philosophical aspects of connection and improvisation within structure.

This ballroom foundation enhances my ability to work with spatial relationships, timing, and the delicate balance between control and surrender that defines both partnered dance and theatrical collaboration.