I am a transdisciplinary body and movement artist specializing in Corporeal Mime,
Dance, Performance Art, Dance-Theater, and Physical Theater.
With a unique background holding a Ph.D. in Physics and Astrophysics,
I bridge the analytical precision of science with the intuitive wisdom of the body.
My artistic research explores the fertile intersection between scientific inquiry and embodied expression,
pushing boundaries in both form and content to reveal new possibilities for human understanding.
Through my body and integrated technology—projections, video art, and digital media—
I create choreographies, theatrical works, and performances that engage with the pressing questions of our time,
transforming abstract concepts into visceral, lived experiences.
Corporeal mime and live sound as a practice of action and relation This manifesto does not describe a method nor propose a closed pedagogical system. It affirms a position, an ethics of the body, and a mode of relation that manifests itself through practice. 1. The irreducible basis Corporeal mime as a technique of action Corporeal mime was not born to illustrate emotions, to narrate stories, or to produce beautiful forms.
Art is not necessary because it saves, redeems, or responds to a crisis. Those arguments are weak, because any practice could claim the same role. Art is necessary now for a more precise reason: it is the only socially recognized practice capable of suspending purpose without having to justify itself through effectiveness, impact, or improvement. We live under a permanent regime of urgency. Everything must respond, solve, optimize, or position itself.
Hi everyone, welcome to my webpage! Here I’ll be sharing not only what I have created so far, but also some of my ideas and reflections on art.